30 March 2020 (Day 11) – I was thinking about the
dream I wrote about the other day, and about dreams in general. Dreams and their meanings is a subject that deeply interested me about half a century ago. (I’m entering my second
early-adulthood apparently; second childhood not far behind.) I still have
Carl Jung’s Memories, Dreams and
Reflections, and a few other obscure texts about dreams, on my book shelf.
One fairly recent theory about dreams, if I understand
correctly, is that they’re not weird, revelatory “movies” created in the “unconscious,”
as Jung thought. They’re just random, sense impressions and memory fragments flashing
around our brains while we sleep, part of sleep’s neuro-housecleaning work. Our
re-awakening conscious minds cobble the remembered fragments together into a
kind of narrative to try and make sense of them – just as our fully-awake minds
do with real sense impressions.
I think this theory has been used to refute the idea
that dreams have meaning. It doesn’t, it really just changes where the making
of meaning happens – from a speculative “unconscious” to our half-awake brains. I think the narratives in our dreams do have meaning. Sometimes
it may not be immediately clear – may be coded in a sense, relying on
symbolism, allegory, etc. But that’s also true of narratives created by novelists,
poets and playwrights. They often have “hidden” meanings too, sometimes hidden
even from the authors.
Heavy, eh?
So what did my dream mean? No feckin’ clue.
Seriously: it can’t be coincidence at a time like this
that the narrative juxtaposes wide open spaces with very cramped,
claustrophobic spaces. Or that the risks of riding on elevators figures
prominently. Also, there is anxiety about being in the wrong place and not being
able to get to the right place, which is probably an expression of the anxiety I
feel – that I’m sure many of us feel – about being separated from family,
My ruminations about dreams and dreaming also dredged
up the memory of a book I read – half a century ago – about an anthropologist exploring
remote parts of Malaysia in the 1930s. He comes into contact with a then little
known indigenous group called the Senoi. An interesting aspect of their culture
is that they claim to be able to control the outcomes of their dreams, control
their “avatars” in the dream, to learn how to overcome obstacles, meet
challenges and promote personal growth in waking life.
Sort of like playing a role-playing video game while
sleeping.
It’s an idea that still has currency in the west. It’s referred to
as “lucid dreaming” and has been studied fairly extensively. I had no
difficulty finding information online about both the Senoi and lucid dreaming – and the
book I had read. The book, published in 1954, was Pygmies and Dream Giants by Kilton Stewart. You can still buy it
online.
Maybe if I master Senoi-like lucid dreaming, I can
figure out how to operate that elevator.
Finally, I had forgotten that one of the reasons the
Senoi use dream control is to enhance sexual pleasure. Cue music..."dream a little dream of me."
*
Desert
Island: Every time I listen to Handel's Water Music, I wonder, why don’t I
listen to it more often? It’s so great.
Handel, a Hanoverian living and working in England in
the first half of the 18th century, was hugely prolific and hugely popular. He
wrote orchestral pieces, operas, oratorios – and everything he did went gold. Water Music was written for King George
I who wanted new music to be played while he was floating down the Thames on his
opulent royal barge. I think I had this same performance of it by The Academy
of St.-Martin-in-the-Fields on LP back in the 1970s.
Dirty
Hippy: I’m stretching the definition of “dirty hippy period”
a bit with this one – but I was still a dirty hippy at heart when it came out
in 1980.
I’m a huge
Emmylou fan. I must have bought this when it was first released because I
remember inflicting it on anybody who came into our house in Stratford, from
which we moved in 1980. It’s from a period when Harris was doing traditional
country and bluegrass, on this one with guitarist Ricky Skaggs. It includes
cameos by Johnny Cash, Linda Ronstadt, Dolly Parton and Willie Nelson.
The
Cryptic Corner
Nobody as far as I know got my last cryptic clue: “Fish
with forthcoming marriage announcement get away in all the confusion (7)” No?
Non-cryptic clue is “get away” – I know, it’s not at
the end or beginning of the clue text. “All the confusion” is a cue that it’s an
anagram as well as a word-builder. The answer: “fish” (COD) “with” “forthcoming
marriage announcement” (BANS), those letters “in confusion,” yielding: ABSCOND.
Getting a little more gnarly now, but still within rules.
In word-builder clues, setters often include words
that need to be translated into their common abbreviation or short-form. For
example, if “mother” or “father” appears in the clue, it usually means the
letters M-A or P-A, or M-U-M or D-A-D appear somewhere in the answer. If “doctor”
is in the clue, it could be D-R or M-O (apparently readily recognized as “medical
officer” in the UK.)
When you’re stumped by a clue, one strategy is to
assume it’s a word-builder and examine each clue word. Think if there’s an
instantly recognizable short form for it. “Small,” “medium” or “large” in the
clue could mean S, M or L in the answer; “hot” or “cold” could mean H or C. And
so on. “That is” – I-E. “About or “regarding” – R-E. Etc.
And then there are a couple of special cases.
Sometimes the word “point” in a clue translates as “point of the compass” and
you’re meant to use one of N, S, E or W to build the answer. “Number” could
mean you have to use I, V, X, L, C, D or M (Roman numerals). Or the word
representing the number or direction appears and you have to abbreviate – “north” or “ten.” “Note” could mean you’re
supposed to include A, B, C, D, E, F or G (the primary notes of the western musical
scale.)
Photo of the day
Interesting dream theory, Gerry. Mine are usually so bloody obvious: yesterday's happenings mixed with a few Jedi mind-tricks.
ReplyDeleteMy Emmy Lou was Quarter Moon in a Ten Cent Town. Played it so often that my room-mate (a heavy metal fan) took it off the turn-table and threw it out the front window onto Eglinton Ave. Her Van Halen followed.
Great owl, Karen. Will you mail it? And are you now onto ... what was it a badger or a hedgehog?